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cuando la esperanza danza Mohamed
Love Song, 2014-2023 live performance MQ Vienna
superficie profunda, 2023 - Bahia BR
100% compacted earth and Natural pigments
Installation, terra compactada
muros vivos
excerpt from four little swans
Hand sign lenguage in Ballet
excerpt from four little swans
demi-soloist Anita Manolova
vienna state ballett / Studio17 / Vienna 2019
Graphit on Paper, 60x80cm
excerpt from four little swans
demi-soloist Anita Manolova
vienna state ballett / Studio17 / Vienna 2019
Graphit on Paper, 60x80cm
Dominik
Matteo Magalotti
Masha Tolstunova
Pauchi Sasaki
Masha Tolstunova
Undanced I Masayu
Herzblume
Hand sign lenguage in Ballet
Wiener Walzer
Ziya Azazi
In memory to SOMA
Collaboration with Ziya Azazi
400 x 500 cm Paper Installation with Natural Coal Pigment
Artist-in-Residence, Albrechtsfeld, Burgenland 2014
On May 13, 2014 the worst mine disaster took place in Turkeyʼs history. Memory to SOMA is a
remembrance of the infinite pain the catastrophecaused, independent of the consequences
of political negligence. The contemporary Turkish dancer Ziya Azazi
and Casanova Sorolla met at a film and dance festival in Ankara in the aftermath of SOMA. Immediately,
they knew that they needed to work together. Azazi—known for his interpretations
of the Sema dance, a Sufi tradition of a spinning dance, in which transcendence is acquired
in the earthly realm—performed for this work, with his body whitewashed while dancing on
a paper prepared with charcoal pigment. According to Rumiʼs words “With one foot in this
world, with the other in the other world,” the work should build a bridge for the sufferers of
misfortune to free themselves in another life; born again, arriving on the other side, during
the constant and incessant turning movements of Azazi, whose body gradually turns black,
right under the skin.
400 x 500 cm Paper Installation with Natural Coal Pigment
Artist-in-Residence, Albrechtsfeld, Burgenland 2014
On May 13, 2014 the worst mine disaster took place in Turkeyʼs history. Memory to SOMA is a
remembrance of the infinite pain the catastrophecaused, independent of the consequences
of political negligence. The contemporary Turkish dancer Ziya Azazi
and Casanova Sorolla met at a film and dance festival in Ankara in the aftermath of SOMA. Immediately,
they knew that they needed to work together. Azazi—known for his interpretations
of the Sema dance, a Sufi tradition of a spinning dance, in which transcendence is acquired
in the earthly realm—performed for this work, with his body whitewashed while dancing on
a paper prepared with charcoal pigment. According to Rumiʼs words “With one foot in this
world, with the other in the other world,” the work should build a bridge for the sufferers of
misfortune to free themselves in another life; born again, arriving on the other side, during
the constant and incessant turning movements of Azazi, whose body gradually turns black,
right under the skin.
In memory to SOMA
Epigrapho 2020 prototype
Prototype 2020
Ceramic and Paper, Natural Pigments, 90cm
Ceramic and Paper, Natural Pigments, 90cm
Kirill Kobantschenko
Vieolin master - Wiener Phillarmonics
Ödön Racz / Piazolla: Grand Tango
Yui Kawaguci Impro
YUI KAWAGUCI
Experimental Improvisation in collaboration with Baeckerstrasse Berlin 2015, 340 x 220cm Watercolor Paper & Gouache with Natural Pigments.
Experimental Improvisation in collaboration with Baeckerstrasse Berlin 2015, 340 x 220cm Watercolor Paper & Gouache with Natural Pigments.
Pasos - Lima Peru
MAC Museo Arte Contemporáneo
3 x 5 m Paper Installation with Natural Pigment Lima, Peru 2018
Dancers Marinera: Evelyn Bellindo, Renato Benavides Zapateo: Antonio Vilchez, Arturo Miranda (Cajón) Hip-Hop: Harold Echevarría Children: Adriano Tafur Silva, Estrella García Quispe, Arsen Szabo, Leonardo Quiñones
Special thanks to MAC Lima, productora Saturno, Agencia Amsterdam, Rental Atómika, Teleton Peru
In this work, Peruvian Marinera, Zapateo and urban Hip-Hop mingle and intersect. Different
times are condensing and overlaying, and with it the singular stories of their narrators writing
their different movements onto the paper. At one point in time, these come to form the
ground for a group of children whose bodies, affected by permanent and temporary
disabilities, cross the work. In doing so, they interact with it and let the forms that shape
this period of their life manifest on paper; or is it rather the contingency of a moment, the
immanence of a presence, a dissolution in the moment of being, just as their traces are recorded
together with the multiplicity of others, losing themselves in a sea of singularities of
all subject beings?
3 x 5 m Paper Installation with Natural Pigment Lima, Peru 2018
Dancers Marinera: Evelyn Bellindo, Renato Benavides Zapateo: Antonio Vilchez, Arturo Miranda (Cajón) Hip-Hop: Harold Echevarría Children: Adriano Tafur Silva, Estrella García Quispe, Arsen Szabo, Leonardo Quiñones
Special thanks to MAC Lima, productora Saturno, Agencia Amsterdam, Rental Atómika, Teleton Peru
In this work, Peruvian Marinera, Zapateo and urban Hip-Hop mingle and intersect. Different
times are condensing and overlaying, and with it the singular stories of their narrators writing
their different movements onto the paper. At one point in time, these come to form the
ground for a group of children whose bodies, affected by permanent and temporary
disabilities, cross the work. In doing so, they interact with it and let the forms that shape
this period of their life manifest on paper; or is it rather the contingency of a moment, the
immanence of a presence, a dissolution in the moment of being, just as their traces are recorded
together with the multiplicity of others, losing themselves in a sea of singularities of
all subject beings?
PERFECCIONOMETRO
Timpani Solo, VII Canaries
Aleksandra Suklar
2020-2022
2014-2019
2010-2014
2010-2011
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